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NEW ARRIVALS

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This rug was likely woven likely in the Hakkari - Rawanduz corridor of the Kurdish Highlands of Iraq during the turn of the 20th century

This deeply expressive Kurdish village rug presents a masterclass in tribal geometry, color harmony, and cultural symbolism. It features a field anchored by two nested diamond medallions, each filled with small, rhythmic glyph-like motifs and set against a ground of saturated indigo blue and madder red abrashed into glowing mineral shades. Surrounding the central field ar

Antique Kurdish Rug - 5’9 x 8’10

This rare cotton pile rug is a wonderful example of early 20th century weaving from India’s Deccan region, likely originating from a workshop in Hyderabad or Bidar. Though long attributed to Agra, emerging scholarship suggests that many rugs of this type, with their Persianate design vocabulary and unique structural features, reflect a broader and more diverse history of Indian carpet production beyond the colonial centers.

Cotton Pile Deccan Rug - 4'1 x 7'

yellow heriz It features a symmetrical all over garden lattice that is densely populated with stylizes floral rosettes, palmettes, and leafy vines in soft coral, midnight blue, ivory and pistachio on a rare golden yellow ground. The red ground main border is composed of blossoming palmettes and crisply rendered saz leaves. A soft-spoken palette that is well-balanced plays off of contrast. Densely woven of high-quality wool making a hard-wearing new production piece that properly honors

Contemporary Yellow Heriz Rug - 6’10 x 10’2

This bold and finely executed flatwoven kilim from Pirot, Serbia, features a rhythmic lattice of diamonds and blossoming bud motifs arranged across a vibrant red field. The powerful graphic border is composed of stylized, angular vine-scroll forms and rendered in tones of black, ivory, ochre, pink, and apricot.

At the top, the woven Cyrillic inscription “ВЕЗИРАR” (Bezirac) suggests a prestigious workshop or district, likely tied to a“Bezir” (vizier) a high-ranking Ottoman official. This connection reflects

Antique Serbian Pirot Kilim - 7' x 12’2

Antique Serab

It features a rosette filled central medallion filled on an open chocolate ground and flanked by floral spray cornices in vibrant rose, sky blue, fern green and ivory. Nicely framed by a chocolate brown perimeter which strikes the perfect balance with the open field and further highlights the use of the uncommon tone.

Chocolate Serab Rug - 3’2 x 4’5

19th century It features a field of scrolling vines topped with wide blossoming botehs red, stark white, navy, indigo, and a desirable golden yellow on a red ground. It is surrounded by borders of bent ribbons, diagonal stripes and most prominently a dinosaur-like primitive bird border. This group of Afshars is thought to be woven in the Aqta region and have taken their patterning from nearby Kerman shawls. Nicely finished with striped kilim skirt borders on the top and bottom.

Antique Aqta Afshar Rug - 4’2 x 6’2

This Tibetan rug was woven during the late 20th century by Tibetan weavers in the Kathmandu Valley of Nepal for the Tufenkian Studio.

It is rendered in a tranquil tone-on-tone palette of warm golds, beiges, and soft dusty pink. The the rug features a subtle relief pattern of leafy vines and gentle wave motifs that are achieved through masterful carving and pile manipulation.The composition strikes a quiet harmony between texture and tone, allowing natural light to animate the surface with understated elega

Vintage Tibetan Tufenkian - 8'8 x 11'8

19th century Shahsavan silk jajim.This type of weaving was utilized as a bedding cover by nomads or in a village setting. This piece features rich, deeply saturated tones in bands of red, blue, yellow, green, ivory, and brown woven in a very fine silk. Warpface woven in multiple strips that have been sewn together. A collector's piece with exceptional dyes and materiality that is all about COLOR. A powerful piece that would be very impactful hung on the wall.

Antique Shahsavan Silk Jajim - 4’8 x 5’11

Phulkari is a traditional folk embroidery style from the Punjab region, which spans both India and Pakistan. It is composed of colorful silken thread atop rough cotton cloth. This Phulkari was embroidered in silk floss on multiple red cotton strips and features a striking composition of kaleidoscopic floral medallions arranged in a dense grid. Finished with skirt borders of interlocking motifs, including zoomorphic bird-like figures on one end. Highly contrasting tones of fuchsia, saffron, pistac

Punjabi Phulkari Shawl - 4’1 x 6’11

This striking vintage dress from Sindh, Pakistan, showcases the region’s renowned textile artistry through dazzling mirrorwork embroidery (shisha) on a richly dyed base. The bodice and sleeves are densely adorned with geometric mirror insets, chain-stitch embroidery, and floral motifs, worked in bold jewel tones on ochre, orange, and cobalt panels. The lower portion of the dress is a deep maroon cotton, finely detailed with vertical bands of white bead-like embroidery and green piping, adding balance and el

Mid Century Embroidered Sindh Dress with Mirrorwork - 3'11 x 4’3

This vibrant green wool panel is richly adorned with colorful chain-stitch embroidery and was originally intended as the upper portions of traditional Kashmiri slippers (jooti or khussa). The bold floral motifs—rendered in vivid coral, blue, crimson, and ivory silk threads are enclosed within sweeping arabesques and stylized lotus forms, all outlined with gleaming metallic thread.

Antique Kashmiri Uncut Slipper Tops - 11" x 1’2

This elegant vintage Indian Kurta is crafted from soft, handwoven cotton in a natural cream tone, delicately embroidered with wildflower motifs in warm golden, green, and earthy brown tones. The floral embellishment flows organically along the hem, cuffs, and front placket, offering a refined yet joyful expression of traditional artistry.

Vintage Indian Embroidered Kurta - 2’7 x 5’

Antique tie-dyed Turban handmade in Rajasthan, India during the early 20th century.

This turban is made of woven muslin cloth, which has been resist-dyed in a multicolored leheriya pattern. Leheriya, which translates to

Chevron Turban with Metal Trim - 7" x 12'

This elegant silk pha sin or traditional tube skirt was handmade northeast Thailand during the middle of the 20th century.

It is a masterful example of mudmee (ikat) weaving from the Isaan region. Woven entirely from fine silk, the textile features a mesmerizing field of diamond motifs arranged in vertical zigzag bands, subtly interlaced with red, gold, and deep aubergine tones against a near-black ground. The effect is one of shimmering depth and rhythmic precision.

The upper and lower bands (hua sinh an

Silk "Pha Sin" Ikat Sarong - 2'5 x 3'1

This elegant silk pha sin or traditional tube skirt was handmade in northeast Thailand during the middle of the 20th century.

It is a masterful example of mudmee (ikat) weaving from the Isaan region. The main field (phuen sinh) showcases a staggered arrangement of stylized vegetal or flame motifs in golden ochre and brick red, which is an elegant reinterpretation of classic Lao-Tai design language passed down through generations of Isaan weavers.

The upper band (hua sinh) is particularly dynamic with a ro

Silk "Pha Sin" Ikat Sarong - 2'8 x 3'1

This elegant silk pha sin or traditional tube skirt was handmade northeast Thailand during the middle of the 20th century.

It is a masterful example of mudmee (ikat) weaving from the Isaan region. The central field (phuen sinh) displays alternating vertical bands of nested diamonds and stylized rice ear or flame motifs that are elongated and tapered into arrow forms that symbolize fertility, protection, and spiritual aspiration in regional Lao-Tai iconography.

The top band (hua sinh) offers a rhythm

Silk "Pha Sin" Ikat Sarong - 2'7 x 3'2

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